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Published: 2014-04-27 17:42:04 +0000 UTC; Views: 20980; Favourites: 181; Downloads: 565
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The next page is here: faile35.deviantart.com/art/Boo… . For more information on the entire series, read the "'Demon's Due' Defined" journal entry here faile35.deviantart.com/journal… or the "'Demon's Due' Plus" journal entry here faile35.deviantart.com/journal… .***********************************************
As the mural progressed before the terrified eyes of the gremlins' next handful of acquisitions, Jervil attuned his senses toward those responses that signified a particular range of emotional responses in the captives. Above all, he watched for a sign of a deeper understanding, as if some part of the grand work was a symbol of particular significance to one woman or another. Those parts the rat-man infused with that impression through the sorcerous energy consumed from a wisp. The Demon fragment previously housed therein was released to drift without a point of interaction in the Undercellar, but still corralled in the location by the extensive system of runes placed there by Anjerome and Jervil. Over the months of work, the mural became a massive combination of symbolism and sorcerous energy, and the wisps and jackrats dwindled in number.
But though the fragments of Demonic essence ever combined into a spiritual cloud of intelligence hovering in the darkness, there was little cohesion to those splinters, and the rat-man realized that a coalescing of all would only happen in one of two ways. First, if he could find that missing identity fragment and a symbol to identify it, Jervil could make the Demon whole and control its ever-increasing hunger. Or, failing that, the rat-man knew that the growing hunger within each fragment would ultimately unify the cloud itself and further draw to it the pieces that were housed in the gremlins and remaining jackrats and wisps. Jervil knew that Anjerome's Bookbinding would ensure that one of the two eventualities occurred, and that the master sorcerer had considered the latter option to be calamitous, as did the Chief Scribe Theonius.
But if the rat-man were able to fulfill the demands of the Bookbinding, summoning the Harbinger from the Otherness and thereby freeing himself, perhaps then neither eventuality would be necessary. As he painted, Jervil recognized that such a possibility lay within the mural itself. For as the work progressed and the captives' reactions to it grew more intense, the rat-man saw the potential for what Theonius had described as a "dual quickening," the same process that had been used to summon the Harbinger's essence centuries before. For the right woman, someone who would respond to the power and symbols of the finished mural, a combination of carefully-tailored sorcery and physical stimulus could combine to release a greater potential within body and soul. And now, at last, Jervil had his solution.
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For anyone concerned, this rather lengthy addition into the Bookbinding chapter has been carefully considered (yes, really). Publication length in paperback has always been an issue for these chapters, and when an average "proper" length was determined, a juggling and reorganizing of pages from Bare Necessities to Bookbinding took place. The changes won't be reflected here on DA until the publications are coming out for each chapter. Suffice to say that the 190-page monstrosity of a chapter that Bookbinding appears to be here on DA will actually be reduced back down to a more manageable 115-120 pages when it's all said and done. I've got a slew of awesome Elina pages burning a hole in my mind thanks to Feathered-pics ' wonderful reference material, and I have about 25 pounds of drawing boards currently encumbered with those half-finished images, too. It's all slowed down as I work on getting Rats ready for publication, but that's nearing completion and then we should get this thing done.
As indicated on the previous page, that image actually came to mind as an insert into this one. I drew what is Page133 full size after I had this image finished without the captive, then I merged the two digitally. You can read all about it in the posts made by collared-by-faile in these links:
Enjoy!
Note: Bookbinding and Demon's Due are a work of fantasy and fiction. The artist/creator in no way condones real mistreatment of this kind toward any woman or man, by living person, gremlin, plant, assassin, ratman, viscous fluid, programmed device, animated home furnishings, or otherworldly spiritual beings. Furthermore, the artist opposes the marginalizing and restriction of women in general by any institution, political and/or religious, including those which have individual women amongst their membership touting/promoting their own happiness within that institution as evidence that ALL women should feel the same way. This includes the religion I was raised in and which I have utterly discarded from my life over this and other issues.
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Comments: 33
Snigom [2014-04-29 20:27:40 +0000 UTC]
That is a fantastic shot! I love the hand gesture the painter is making to hold himself steady. The girls pose is rather seggzy!
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sothellio [2014-04-29 00:28:48 +0000 UTC]
If I read this right, we are pretty much looking at the calamity future, with the Hellbinder running riot. The conversation from Coils of Fate is clearer at least.
It does make one wonder what might have been.
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faile35 In reply to sothellio [2014-04-30 02:43:48 +0000 UTC]
Oh, yes. The horizon is indeed FULL of calamity, and certain Scholars are going to be caught right smack dab in the middle of it...
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sothellio In reply to faile35 [2014-04-30 04:47:21 +0000 UTC]
Looking forward to it. Elina vs. the Hellbinder certainly does sounds promising.
At this point what would end up happening if the identity fragment were found? Because I've started to develop some suspicions of where (or perhaps in who) that fragment might reside.
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faile35 In reply to sothellio [2014-04-30 05:17:00 +0000 UTC]
Depending upon where it was, it might mean any number of things. If the fragment resided in an object, then if Jervil could gain access to it he could shut off the hunger that drives him and gain complete control of it, managing it as an internal drive at a more manageable level. If it was in a person, then Jervil could kill that individual and free the fragment to join the rest of the Demonic essence to accomplish the same thing. If the individual in question knew they possessed the fragment, they could gain some measure of control over the other fragments of Demonic essence and make a deal with Jervil's intellect.
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erick288 In reply to faile35 [2014-04-30 14:13:23 +0000 UTC]
Hmmm. It sounds like a lot more fun if that elusive fragment were to reside in a person than in an old vase on someone's mantle. Am I the only one to think that the 'boy' and the 'fragment' seem more and more likely to be related? And I'm struggling to figure out what person could possess the fragment, as it seems likely that Jervil wouldn't have chosen to send that person back through the mirror.
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faile35 In reply to dashinvaine [2014-04-28 17:05:23 +0000 UTC]
Close. I had a diving board underneath me that I could use to bounce/pounce up onto the wall, instead of climbing like Jervil here...
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dashinvaine In reply to faile35 [2014-04-30 13:40:12 +0000 UTC]
And that was just from having to have a leg amputated following a bad landing...
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faile35 In reply to dashinvaine [2014-04-30 15:55:21 +0000 UTC]
Yeah. Good thing I had four of them to begin with...
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White-Feather [2014-04-28 00:12:51 +0000 UTC]
Jervil.....really, would using a regular platform for the higher corners kill you? Now that beautiful piece of macabre artwork is going to be marred by bother your toe *and* fingerprints from crawling all over it before the paint dries...
Oh well, why should I complain since Drea later is going to add a splash of your blood and grey matter to it anyway...
I like this perspective, and interesting developments in the narrative as well....
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faile35 In reply to White-Feather [2014-04-28 17:07:44 +0000 UTC]
Yeah. Your observation/complaint/critique is a valid one. Magic Paint is the answer. Yeah, that's the ticket!
Thanks!
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Mad-Gav [2014-04-27 21:09:00 +0000 UTC]
I'm impressed by the perspective/point-of-view here - but prefer the more 'up close and personal' nature of the first image.
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faile35 In reply to Mad-Gav [2014-04-28 17:08:45 +0000 UTC]
I prefer the up-close and personal approach, too. Well, in that regard, I'm much like the Hellbinder myself: More. Give me More. Thanks a bunch!
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voremonger [2014-04-27 20:50:46 +0000 UTC]
It's just so damned sexy to see her taken down and hogtied like this by those little gremlins. I can't say why, exactly, but it ends up being so much more fetching for a bunch of little guys--any one of which would not likely have posed a challenge for her individually--to capture her and leave her helpless than if it had been a single, powerful individual. Maybe it's just the way that they banded together to take her down, as if some target of a hunt. In any event, she looks pretty damned hot with her being all naked, bound and helpless at their feet.
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faile35 In reply to voremonger [2014-04-28 17:12:47 +0000 UTC]
I agree completely. While I certainly can appreciate the overpowering of a particular victim by a foe who is easily more powerful than she, the foregone conclusion is that she'll end up a captive and most interesting twists would involve some surprising way she is able to turn the tables and escape. But when her "foe" is a bunch of little fellows that individually wouldn't stand much of a chance of overpowering her, the foregone conclusion is that she will likely kill a bunch of them and they're going to have to be quite "tricksy" to pull this off... Much more interesting, I think. And more kinky, really, getting someone who can kick your ass to submit to your will...
Yeah. we're in agreement there. Thanks for the comment and compliment!
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Mistersneaky [2014-04-27 19:31:37 +0000 UTC]
Jervil: "Would you guys keep it down, down there? I'm trying to concentrate up here!"
Gary Gremlin: "Aw c'mon Mr. J! Don't you wanna play "tickle monster" with us? It's fun!"
I don't think adding the naked chick to the image was gratuitous at all. There'd be a whole lot of empty space to fill otherwise. Not that those square tiles aren't impeccably done, but still...
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faile35 In reply to Mistersneaky [2014-04-28 01:03:03 +0000 UTC]
I'll bet she secretly really likes the game of "tickle monster," though she'd probably enjoy it more if the gremlins were little Elmo puppets and didn't carry floggers...
Thanks!
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Edmere [2014-04-27 19:07:10 +0000 UTC]
Interesting how Jervil, despite being an old-fashioned villain who tortures women and slaughters men to extract their life energy for his own uses, has this innate aversion to calamity and unpredictability. I suppose it is the polar opposite of absolute power and control, and pits him squarely against what we know about the Harbinger, a being of chaos and destruction.
What I wonder is if Jervil knows the repercussions of his actions. Isn't he aware that the purpose Anjerome allowed him to exist for was to act as an emergency brake should the Harbinger's actions become misguided? He doesn't seem narrow-minded enough to think only of freeing himself from the Bookbinding when that may cause his undoing in the long run...so why's he really doing it?
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faile35 In reply to Edmere [2014-04-28 01:01:50 +0000 UTC]
Jervil's "thinking" is human-like for a being from the Otherness. He learned how to think from Anjerome, whose schemata and pattern of introspection and concern are rather compellingly effective for someone who has a hunger to learn more. He's faced with a rather paradoxical situation brought on by his hunger to realize his own nature and potential. He recognizes that, by their natures, the Harbinger will want to destroy him when she arrives, but what if he has learned and acquired a new nature that allows him to offset his own hunger? He also recognizes that the Harbinger herself may bring disaster with or without the presence of her nemesis to provoke her. In spite of his relative mistreatment of the individual people with whom he entreats, he has an overarching concern for society at large and wants to preserve it and find a place of power and influence within it.
Time and again I find myself looking at him like some bizarre warehouse inventory-keeper from Raiders of the Lost Ark, getting and storing as much stuff as he can and treasuring each item for what it represents, and packing it nicely and neatly off in its own little corner with his own possessive stamp of ownership on the side of its crate. There is a definite sense of order to that kind of thinking, and it expands outward as it claims more stuff, bit by bit, ordering and stamping everything around it. While, as you point out, the Harbinger is like a tornado coming in and tearing all of it to pieces and defying any sense of ownership.
I hope that helps.
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Edmere In reply to faile35 [2014-04-28 04:50:02 +0000 UTC]
Alllright, I realllly hope I got this correctly. So Jervil is hoping that he discovers whatever this key piece of self-identity is BEFORE the Harbinger shows up? And if he doesn't, it likely won't make a difference to the Harbinger's actions anyway?
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faile35 In reply to Edmere [2014-04-28 05:45:04 +0000 UTC]
Yes, I think that sounds right. Either the Hellbinder will overrun him or the Harbinger will destroy him if he doesn't figure things out. His last shot at that hope died when Elina thumped him over the head with the book, which dislodged the Jervil fragment from the gremlin mind to float around and join up with the last runemote in town. You've seen the rest.
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Edmere In reply to faile35 [2014-04-28 05:53:41 +0000 UTC]
I guess I'd be inclined to ask what Elina ended that Drea hadn't already when she slew Jervil the Jackrat, but that's a satisfying enough answer.
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faile35 In reply to Edmere [2014-04-28 09:54:54 +0000 UTC]
Well, if he was quick enough, and he got Elina properly "runed" to power his transformative magics to make the gremlin body into an Anjerome form again (it probably would have taken more than just Elina, but she would have been a start), then Drea wouldn't have ended the non-Hellbinder possibility.
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erick288 [2014-04-27 19:02:28 +0000 UTC]
This came out even better than I thought, and I admit it was fun 'watching' the process by which you put it together. You captured the poor girl's terror perfectly; of course she would seem to have a whole heck of a lot to be terrified of! It does remain telling that she's more fearful of the mural than the more immediate threat of gremlins with floggers, though. Very cool perspective. I think you nailed that, too.
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faile35 In reply to erick288 [2014-04-28 00:50:31 +0000 UTC]
Thanks! I'm pretty satisfied with the overall merging of the two images--the girl and gremlins are a bit more smooth than the rest of it, but I don't mind her skin looking that way by comparison.
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YesImDeadpool [2014-04-27 18:27:51 +0000 UTC]
Come on, when is she gonna shred them to gore?!
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faile35 In reply to YesImDeadpool [2014-04-28 00:49:16 +0000 UTC]
Valerin's capture recounted, then Avora's, and then...
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erick288 In reply to faile35 [2014-04-28 02:25:37 +0000 UTC]
Speaking of Valerin's capture, will we learn 'why' it was important for Jervil to add Valerin to his collection, since it was implied in the first prologue that it was? I can cobble together a 'why' for nearly all of our lucky heroines, but I'm still guessing on Val. Even Deidre is a little uncertain, but it's clear that she possessed some small fragment of something, given her unique abilities. Valerin's always had that "in the wrong place at the wrong time" sort of feel, much like the others we've been seeing.
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faile35 In reply to erick288 [2014-04-28 05:42:49 +0000 UTC]
Yes, there is some vital quality to Valerin, Avora, Deirdre, Zirena, Anna, and Drea in particular that will be explained, as well as an individual import to Jervil, which I will try and share as I post the Valerin et. al. pieces in the coming days. Jervil gains an insight with Valerin in particular that helps him process the others a bit faster.
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