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Published: 2010-07-07 02:03:49 +0000 UTC; Views: 1333; Favourites: 3; Downloads: 5
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The girl opened her wide silver eyes. They were met by grey skies and a drop of freezing rain.She flinched and blinked away the water before dragging herself up in the slippery mud. The feel of her cold, sodden clothes clinging to her body was shocking. She was dressed in some kind of shift, which offered no protection from the elements whatsoever. Only the shoulder area was left untouched by the cloudy brown puddle she'd been lying in, the bright white apparently its original colour.
Her bare feet had little purchase on the saturated earth, but eventually she managed to stand, and looked up at the towering black oak doors before her. The imprint around her suggested her body had been thrown from this portal, and the spiked wrought iron bars lining the doors projected a strength that suggested she wouldn't be passing through them again so easily. The whole edifice woke within her an animal terror, an irrepressible desire to flee. It seemed to be clawing up the cliff. She could hear the sound of the sea far below, but there was no way to go but backwards, inland. Black, thick pine forest circled all around, but the dark doors lurked behind her. Gulls wheeled above, their screams sounding like a warning.
She scrabbled through the mud to get away and plunged into the forest and down a slope, rivulets of dirty water chasing her. The wet tree trunks she grabbed to steady herself shed wet bark and slimy creatures, covering her hands in filth. She kept running, even as it became apparent that she wasn't ready for the task, her body weak and unresponsive. The tendrils of the forest whipped her and clawed her, branches catching on her dress, tearing it and pulling it. She was soon aware that she was wearing nothing underneath, she was cold and unprotected. Nevertheless, the rain carried on lashing down, driven by a merciless wind. Her skin was soon torn and grazed, and her wet skin made the blood bloom upon her.
Gradually, the terrifying lightness she felt, almost an intangibility, was replaced by weight and darkness. Writhing shadowy veins crept in at the edge of her vision, her body began to twitch, responding to ghostly signals. Her panicked scramble slowed to a lurching struggle as strange forces pulled at her limbs. The raindrops sizzled on her skin. Eventually it was all she could feel. She headed for the sound of running water before it was drowned out by vicious whispers. She stumbled forth, her mind barely able to reach her body. Soon she'd lost all of her senses. When her strength was entirely drained she toppled forward. There was a splash. She felt the cold water envelop her, and her vision cleared. She saw copious amounts of something inky and repulsive ooze through her skin and diffuse in the river, and then she surfaced, gulping in air. She was shaken by the theft of her body, but taken in aggregate with the fear she already felt she wasn't much more scared than she was before. Something within her understood the situation even if her conscious mind didn't.
She was energised by the water, and began to feel life flow into her. Her chin length silver-blonde hair was flat against her head and dripped onto her shoulders. She clambered up the rocks on the opposing bank, her ragged white shift cleaner but much the worse for wear. She coughed up some water and a startled Avocet burst from the reeds down river and sailed away into the curtains of rain. She decided to follow it, towards the ocean.
The journey took about an hour, and all the while the sky churned and twisted, growing more and more intense until it tore open and thunder spilled out across the forest. The rumble was low, an accompaniment to the pattering rain. At one point the girl came across a disturbing object. A large obsidian orb stood on a plinth in a clearing bare of life, inexplicable and frightening. She hurried on. Occasionally the girl would feel a malicious will apply weight to her, and she would step in the water and watch the black cloud dissipate around her ankles. Soon she arrived at a beach.
The storm was immense, boiling the sky and charring the clouds. Bolts of lightning struck down all over the horizon, and left afterimages glowing behind the girl's eyelids. She approached the sea.
The sea was wrong.
It was calm, small waves lapping pathetically at her toes. The storm raged at its wrongness, its unnatural stillness, imploring a dead thing to live.
From out of the clouds tumbled a small silhouette, darting and spiralling between electric spears in its descent. It resolved from a flickering dot into a beautiful blue-grey swift, which alighted on the girl's shoulder and rubbed it's head against her cheek. She didn't know what to do, and stroked its head gingerly, to which the swift responded with a soft chirrup and a disappointed look at the ground. It took to the air again and headed along the coast, circling back and forth to indicate she should follow. What else could she do? She set off after the swift, and the ground began to rise on her right, growing into cliffs. She waded along the shore, leaving a thin curling trail of ink in the still water, and tried to find reassurance in the caress of the breeze. She stopped at the sight of the black fortress clinging to the cliff side, but the swift came back to her and urged her on. The horrible creeping building just hung there, as if it had emerged from the rock one hellish night.
The swift soared up and landed on the lower layer of the structure, a tapering tail hanging down, ending in a small balcony. The girl wanted to run away as far as possible, but she trusted the swift and had a dim perception that her only purpose as things stood was to enter and unravel what had happened. A gale whipped up around her, kicking white sand into the air. Her shift rippled and her hair ruffled. The wind began to whistle, scouring the rocks, and the girl felt herself picked up as if with a divine hand. She rose into the air and met the gaze of the swift. It gave her a small nod as she was drawn upwards. She felt strangely at home suspended in the ether, and when her bare feet touched the cold black steel of the balcony she was touched by a faint sadness.
The two of them ventured into the dark tail of the awful temple and climbed a spiral staircase. When they at last reached the top they were in a circular hallway, the walls of which were decorated with a mural. Something disturbing pulsed through the black veins of this place, and the air felt thick and claustrophobic. It smelled of incense. As they followed the curving path, a shiny black marble floor which reflected the light of the orange oil lanterns, the girl traced the inner wall with her fingertips and investigated the intricate pictures. She saw a man, a hunter, pierce a bird with black feathered arrows. The bird was picked out in gold and radiated an aura. It appeared to be flaming. Further on, theΒ man netted the extinguished bird and travelled with it to a black gate. The girl knew that gate, it filled her with fear now, as then. She stopped when she came to the next picture. The man bowed in front of a gargantuan black orb, presenting the dead bird for its judgement. Images stirred in her head, of being helpless and alone before that terrible void. Of being split into two. She found the swift staring at the final picture, an avian skeleton burning in a cage. As she studied it, tears began to spill from her eyes, but she couldn't fathom the reason.
The evil whispering from earlier returned on the edge of hearing.
They came across a doorway in the inner wall and stepped inside. At first it was pitch black, and small blue dots seemed to mark out a vast spiral descending into infinity. Eventually it became clear that they were lamps lining a large stairway, and that they had entered a giant shaft. They journeyed down, and as their eyes adjusted a mystical glow became visible, emanating from the bottom of the deep pit. When they neared the bottom, the swift alighted on the stair wall and peered down. The girl joined it and looked over the edge to see the centre of the floor was dominated by the dark sphere. She squeaked with terror, but didn't leave. Pacing around the sphere was a man in a waistcoat, holding aloft a birdcage. A beautiful tern was perched within, stoic and silent. The man glared at it with intensity.
'Perhaps I should have kept it for myself' he said, a cruel smile playing across his lips. 'It'd be too dangerous though, an empty shell. By now it'll have been taken by twisted, hellish things. Full of ravenous, terrible ghosts.'
'You deserve it' he growled. 'I loved you. I really and truly loved you. But you used me. Every full moon, you disappeared. I'm no fool. It took me two years of marriage, but I saw you for what you were. I saw what you were doing. With him.'
He shook the cage, and the tern struggled to stay upright.
'Was I not good to you? We were happy! I'm more than good enough to keep you fulfilled, I did nothing wrong! You destroyed me and you didn't even have a reason!'
The tern cowered, and the swift watched, unblinking. The girl was confused and nervous. Her fingers began to twitch. The whispering in her ears got louder. She had the feeling she was part of this exchange, but couldn't quite decipher it. She edged further down the stairs, hiding behind the hideous gargoyles hunched on the balustrade. From closer up the man looked drawn and ragged. He appeared handsome but for the shadows on his face and the mad look in his eyes.
'I should have been good enough!' he shouted, and flung the cage against a stone altar where it crashed and rolled in a semi-circle, the tern splayed inside in pain. The man approached it once again and crouched, bringing his face right up to the silver bars.
'But I know who he is' he whispered, his eyes wide, a toothy smile splitting his face. 'And you're going to take everything from him the way you took everything from me.'
Suddenly he stood up and slammed the cage onto the altar, switching from insane to grim in an instant. He glared into the tern's terrified eyes.
'Your spirit is caged, your body is being violated by a thousand banished souls, and your lover is going to burn. Because of you.'
He turned his back on the altar and began to whisper to the cloudy obsidian orb in the centre of the room, and the swift leapt into the air. It swooped down and crashed into the cage as the orb awoke, its cold stillness shattered by an orange incandescence, seemingly breaking out of the sphere, smashing layers of murk inside. Soon, it had become a swirling ball of pure bright flame, rich and alive. The swift was desperately pulling at the cage and the tern was flapping it's wings, screeching and panicking. The man leapt at the swift in fury, shouting unintelligibly. He squeezed the bird in his fist, which was being pecked and scratched frantically.
As all of this happened, the girl began to run down the stairs. She knew she needed to stop whatever was happening, and her confusion had mixed with her anger and fear in an overwhelming maelstrom of emotion. The violent whispering in her ears had become screaming. Her body brimmed with rage, it wanted to fight.
The orb shined blindingly and shook the building with an unearthly roar. The altar opened up, revealing the sad skeleton of the phoenix, glowing with heat and spitting sparks. Individual bones began to catch aflame.
The girl reached the floor and charged at the waistcoated man, lunging and tackling him to the ground. The swift sprang free, and conjured a whirlwind in order to extinguish the fire, which remained burning and continued in flaring higher.
One thousand bloodthirsty voices shouted at the girl, telling her to tear at him, to rip him apart. She fought them, she wanted only to free the tern and escape. She tried to reason with the man but the voices spilled out of her mouth, a malicious spew of violence, bile and the awful, empty sound of madness. The voices took her arm and struck him. The voices took her teeth and bit him.
The man didn't recognise her immediately. The girl straddling him, howling and sinking her nails into his face, had eyes of pure black and moved like a thousand separate impulses were trying to pull her in different directions. She'd changed so much, it was shocking. When they first met, she'd been so pure. She'd always worn beautiful white dresses, and her hair had made him think of the last light on the sand of the beach as the sun sets. Her flawless skin was luminous, as if she was glowing from the inside. He'd loved Amelia as soon as he first looked into her silver eyes. They'd glittered when they'd got married that summer in a church on the edge of the forest. They had an oily sheen now as she crushed his skull against the hard marble.
The swift pulled the cage from the flames, and tried ineffectually to open the hatch. The shell of the girl crawled towards them, snarling, and the swift blocked her way, landing in front of her in a futile gesture of protection. The tern in the cage, the spirit, met the girl thing's eyes, and the blackness receded. The voices didn't stop, but the girl's body was her own again, for as long as this clarity lasted. She reached to the cage, and gently unclasped the door. She saw her arms, laced with blood to the elbows, and was silently horrified. The birds perched on the shoulders of the kneeling girl, and nuzzled her. The tern closed its silver eyes and she thought she heard the word 'sorry' before it was lost amongst the demon voices, building in intensity, growing in volume, until they flooded her mind.
The birds fluttered away, leaving the shell girl.
Amelia skimmed low across the waves, the swift flying close by her, wingtip to wingtip. Their souls were entwined, and always would be. The form of a woman was a poor vessel for the sea, and she'd welcomed her freedom every full moon, but when she'd been unable to return to it, the body severed from her spirit, she'd been sorrowful. She was a good person.
The black ritual was a clawing grasp at the reins of the world, but in the end it had freed her from her imprisonment, a punishment for her mercurial nature. Now they would fly together forever, the bonded souls, the sea and the sky.
Amelia's shell wandered the halls, shrouded in shifting shadows. Its movements were wrong, its shape inconsistent.
Once, a pure voice chimed clear through the discordant screams. The shell climbed into the altar cage and curled up with the bones, which hissed and popped and then burst into an infernal tangle. The shadows were obliterated, and all that was left was the glow. The phoenix was reborn in Amelia's body. It climbed unsteadily to its feet, naked and beautiful. It radiated magnificence.
It padded past the orb, which stirred somewhere deep inside. The phoenix girl trailed blazing footsteps. They spread slowly.
As she climbed the spiral stairs, the bottom of the pit filled with licking flames. At its heart the orb was immolated.
She walked through the great oaken doors, which turned to ash and then to nothing, inches from her skin. The temple was eaten away by fire behind her. She closed her eyes as the embers floated in the air.
Related content
Comments: 33
whitefox00 [2010-09-14 22:43:58 +0000 UTC]
Only three comments and four favourites? That's crazy!
I'm going to use this as a model for some of my work now. That's how good I think it is. I'm particularly drawn to flowery, poetic language, and this entire piece radiated that. The first half or so, without any dialogue, was my favourite part. Usually longer pieces are unable to hold my attention, but I wanted to keep reading until it was over.
I'm really sorry, but I only have a little bit of advice, and something as good as this piece deserves much more. My main criticism concerns the last half or so of the piece. For a long while, from the beginning of the story to a certain point, I can picture everything in my head, and it all flows at a wonderful, dreamy pace. This paragraph and the one after it, however, confused me greatly:
She was energised by the water, and began to feel life flow into her. Her chin length silver-blonde hair was flat against her head and dripped onto her shoulders. She clambered up the rocks on the opposing bank, her ragged white shift cleaner but much the worse for wear. She coughed up some water and a startled Avocet burst from the reeds down river and sailed away into the curtains of rain. She decided to follow it, towards the ocean.
My confusion about what an Avocet was, was probably a cultural difference. I'm also wondering exactly what is happening here. At first I thought she was swimming, and then it seemed like she was flying over the water, and now upon re-reading it several times, I think she is walking on the edge of this marsh/river.
The bit with the orbs, I vaguely understand. The language still flows naturally in that area, but it is also confusing. She turns into a bird on the full moon, is what I took from it, and I'm trying also to understand the phoenix (what it represents; is it a person as well?).
Finally, I saw one typo. Just search for "The tern closed it's silver eyes..." The possessive its doesn't have an apostrophe, but again, I think that was a typo rather than a grammatical mistake.
That's it as far as my critique goes. I would offer more if I could, but that's it. Nice work.
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joe-wright In reply to whitefox00 [2010-09-14 23:16:30 +0000 UTC]
Ah, I have a terrible habit of using apostrophes in 'its', I've taken to calling them 'impostrophes'. Good catch.
The first half is my favourite too, I prefer to write in the same way that a painting tells a story, presenting the action and setting and having the narrative inferred by the viewer. It's hard to construct a whole story that way though so it ended up becoming more classically story-ish towards the end. I tried to keep it mysterious though, presenting more images and clues than exposition.
I'd be surprised if anyone completely grasped the story at the end, I didn't really deconstruct it too much. I was essentially writing a selkie story (before the sudden boom in selkie popularity I've seen around here lately, incidentally) but I decided to replace the seal form with those of birds. I hinted that the birds might have elemental properties throughout, having different birds appear in different locations (The Avocet is a beautiful British wading bird, the RSPB adopted it as their logo) but I wasn't really explicit, it just formed the skeleton of the story. The two birds at the end represent the sea and the sky, and although she (the sea) fell in love with a human man, she was still indelibly tied to the sky. The phoenix is possibly the embodiment of life, or the land, It's not altogether clear. I had an idea that the land's spirit had been taken prior to the story, hence its stability, deadness, but I didn't end up really rolling with it.
As for the orbs, I just thought they were a strangely unnatural yet mysterious shape to encounter in the forest. It represents some kind of dark god, or more accurately the hunger of oblivion, the way that the universe wants to return to void and order. I had the idea when I was thinking about black holes, they're so scary and unknowable. I thought of them as these lovecraftian eternal evils, eating away at the world.
As for the river scene, it probably is unclear, I remember stumbling when I came to write it. The idea was that she'd fell in, pulled herself out at a rocky promontory on the shore, sees the bird and follows it down the riverbank. Where exactly did you lose the thread? I'll try to fix it.
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HumDrumBuzz [2010-07-08 17:44:07 +0000 UTC]
This was very poetic and beautiful. Although there was a lot of description it never took over from the narrative for me. I like how the pace followed the action as well. Very lovely!
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joe-wright In reply to HumDrumBuzz [2010-07-08 22:35:03 +0000 UTC]
Aw thanks, that's really nice
Did I do something with the pace? Lol I guess some stuff is so internal you don't think about doing it
I did go a bit overboard with the description, I was kind of thinking about that blue china pattern with the three people in the garden where it's so detailed and there's a tiny thread of story in it, idk
[link] found it, it's called willow pattern, my nana used to have these plates
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HumDrumBuzz In reply to joe-wright [2010-07-09 13:26:19 +0000 UTC]
I like them, with the little guys going off somewhere. I bet it's a really symbolic story in china.
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joe-wright In reply to HumDrumBuzz [2010-07-09 15:05:02 +0000 UTC]
Yeah, I think someone explained it to me once, I can't remember it worth a damn though. I think the three guys are hired to catch some eloping lovers at the bridge but they turn into those two doves. Wait, holy shit, that never occurred to me, the two birds thing.
Huh, must have been my subconscious clocking in some overtime
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HumDrumBuzz In reply to joe-wright [2010-07-09 19:57:41 +0000 UTC]
lol it's a really pretty story! I find the older i'm getting the mushy and soppier i'm blooding heading..... never used to be like this...
I was defending gay rights in a chat room on an artist's LiveStream and I actually said this... *clears throat*
"I don't think it really matters about what sex the couple are as long as they love each other..."
I think I was just trying to make the conversation nicer as we were actually describing hard core Yaoi... BUT WHAT THE FUCK.
When did i get so fluffy!!!?
Urrrg, hope that stops... I need to draw some violence or something.
The funny thing is i'm muuch more into action and violence in comics or films or books.... but pretty much every request i've got from people AND my art style ALL scream fluffy bunnies.......... .. . . . . . . . . . .. . . . . . . . . . .ARRRRG. I'M BOREDDDDDDD OF IT NOWWWWWWWW, MY ART IS SO FUCKING SHOUJO.
[link]
THAT IS NOW ME.
sorry for spazzing at you. I'm not well and i have another 4am shift tonight and it's taken me a week to complete ONE fluffy picture and i'm not very happy with it. I put in my commeent that there were parts i really liked (which is true) But it's really disappointed me. My lineart was really scruffy and my colouring was so messy. I've taken a step back from where i was in that one. Hopefully i'll be okay
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joe-wright In reply to HumDrumBuzz [2010-07-09 22:30:20 +0000 UTC]
Hang about, you were 'describing hard core Yaoi'?!?
lol
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HumDrumBuzz In reply to joe-wright [2010-07-10 03:25:30 +0000 UTC]
looool well they were... with the whole describing thing. I'm not really into that. As having gay MALE friends aswell who talk a lot and having gotten drunk with these friends and having gone to house parties... blaahhh blaaah blaaaah, "oops sorry to interrupt i'll leave quickly now"
... ..
I think yaoi fangirls really haven't gotten the grasp that if two boys are that interested in each other they WONT care about anyone else. unless they're bi. Also have another view about really hardcore squweeey fangirls but it's a bit crewd so i wont share lol in case of scaring.
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joe-wright In reply to HumDrumBuzz [2010-07-10 03:31:14 +0000 UTC]
lol no, i'm curious now, carry on!
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HumDrumBuzz In reply to joe-wright [2010-07-10 04:11:38 +0000 UTC]
haaa lol it's not that I don't like them, a lot of my DA friends are really big with the slash fictions, but it's just that i really want those "I Don't Care About What You Think I Love Yaoi!!!!!!! FTW sasu/naru forever!!!!! It's Hawwwwwt" girls to either
SEE
or
PARTICIPATE
in anal sex...
in REAL LIFE.
SO, Not in henti/anime/manga/doujinshi/porn/what they draw/what their friends draw, slash etc slash etc...
AND THEN, tell me it's hawt.
If they can, then hats off!
I'm not going to lie though, i'm cool with whatever people like! (bar some of course) Even I can understand that an attractive couple of boys kissing is nice, just as I can understand that an attractive couple of girls kissing is the same.
but LOL!
"IT DOESN'T REALLY MATTER ABOUT WHAT SEX THEY ARE AS LONG AS THEY LUUUURVE EACH OTHER AND GIVE EACHOTHER BIG WARM FUZZLEY KISSES FULL OF HOT-CHOCOLATY MARSHMALLOW KITTEN KINDNESS"
That's a direct quote from me, feel free to use it where applicable................................
fuck I'm tired. I should retire for this night. Too much usage of capitals means Rach has gone across into the exhausted phase.
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joe-wright In reply to HumDrumBuzz [2010-07-10 14:29:45 +0000 UTC]
'BIG WARM FUZZLEY KISSES FULL OF HOT-CHOCOLATY MARSHMALLOW KITTEN?'
Urrrrghhh
I've always thought that about these idealised boy on boy scenarios, I can understand the appeal of kissing and 'oh no I've spilt my drink all down your shirt, let me take it off for you', but it's marred by the fact that we all know it's going to end in what is a pretty unsavoury act by anyone's standards. If slashfic was required by law to go all the way to the inevitable conclusion it'd be significantly less popular.
Theory is, girls who are obsessively into it are really meek with repressed desires to rape guys. Not sure what to make of that, just something I heard lol
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HumDrumBuzz In reply to joe-wright [2010-07-10 14:52:34 +0000 UTC]
woooo you heard that! lol sounds like a freud thing. I can see where it's coming from too because i thinkkk one of the appeals is that kind of male vulnerability. Like on a lot of BL (Boy's Love, which isn't hard core just hugging and kissing and things) both or at least one of the boys is all meek and blushy... which truthfully i have never seen.
I've seen guys cry out of frustrations before but most affection is aimed towards the other person. I don't think i've EVER actually seen a boy blush....
Though it's a different kind of vulnerability then just guys who are not into fighting or considered being a pussy/chicken. Or smalls guys or any of that. With BL it's very stereotype feminine emotions.
I have looked into this because I got a BL request a while ago but the characters were just asked to be hugging. I logged it down in my memory for future prospects. It's a really big seller and shitcrazy popular.
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joe-wright In reply to HumDrumBuzz [2010-07-10 15:10:12 +0000 UTC]
Yeah I think it's like, turning the tables so that in effect the girl has the advantage, the meekness thing is reversed. There must be a psychological thing it's tapping into for it to be so crazy popular anyway, if it were purely sexual the internet is bursting at the seams with stuff to fulfil that lol
Vulnerability is different for guys, I mean crying is possible if something is really bad, but not often, we mostly just get angry instead lol. Either way you slice it, once a dude hits puberty he's not going to blush at stuff like that, we're not wired for meekness and stuff. The BL personality thing is a construct, I'm just not sure what it's a construct of. Surely there's no appeal in that kind of character other than as a victim?
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HumDrumBuzz In reply to joe-wright [2010-07-10 16:40:45 +0000 UTC]
hmm I'm not sure about the "victim" thing, i mean that's definitely one appeal but more might be to do with over protective female-mother type figures. Having a partner who depends on them.
Some women may also think the showing that kind of vulnerability is level of trust as well.
And then there are the dominatrixees ..
THAT I do not get. apart from the control thing. I mean if you want to hurt men so bad there are worse ways then just whipping them and stuff.
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joe-wright In reply to HumDrumBuzz [2010-07-10 16:48:07 +0000 UTC]
Oh yeah, good point, I never thought of it from a mothery perspective. Ew.
Domination is weird. I don't think it's about actually really wanting to hurt someone though, as you say, there's better ways to do it. There's a line between pain and excruciating pain lol.
Either way it's still fucked up, I wonder what chemical imbalance makes someone end up like that?
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HumDrumBuzz In reply to joe-wright [2010-07-10 21:46:15 +0000 UTC]
who knowsss! It's all apart of life's rich tapestry
You can get drugs that level those pesky imbalances... maybe they should do a trial run for the husbands living under domination in the bedroom!
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joe-wright In reply to HumDrumBuzz [2010-07-11 01:04:51 +0000 UTC]
Once I was housesitting for my uncle and saw an erotic fiction novel about domination on his wife's bedside table =S
I was weirded out
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HumDrumBuzz In reply to joe-wright [2010-07-11 03:25:11 +0000 UTC]
haaaaa don't lie to me you read some of it didn't you!
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joe-wright In reply to HumDrumBuzz [2010-07-11 14:30:35 +0000 UTC]
It never occurred to me, but I totally should have! I bet it was really friggin' weird
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HumDrumBuzz In reply to joe-wright [2010-07-11 14:47:48 +0000 UTC]
Or you'd find yourself getting into it and then they would have come home and then there would be this awkwardness between you all.
ewww no thanks.
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joe-wright In reply to HumDrumBuzz [2010-07-11 15:02:17 +0000 UTC]
Haha yeah I don't think I've seen her since then, I'm not sure I'd be able to make eye contact
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HumDrumBuzz In reply to joe-wright [2010-07-11 21:18:02 +0000 UTC]
Make eye contact...
then wink.
REAALYYY freak her out!
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joe-wright In reply to HumDrumBuzz [2010-07-09 21:47:45 +0000 UTC]
I think your problem was that it was a group shot with no focus, I mean what are you supposed to do with that? It's hard to make it interesting or natural when there's nothing particularly going on in it.
In any case, it was technically fine, the problem is with the subject rather than the execution.
I think what you should do now is get back into the flow and draw an awesome ninja girl putting the finishing blow on a giant demonic triceratops.
lol have you changed much? I mean I'd like to believe you were in support of gay rights in the first place haha. I get what you mean though, I guess as you get older, having complex opinions loses it's appeal, it's less tiring to just talk in broad strokes
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HumDrumBuzz In reply to joe-wright [2010-07-10 03:19:41 +0000 UTC]
lol I alwys been open minded with gay rights! Having a best frind as a lesbian for about 8 years puts things into perspective
And i agree with the subject matter, it was good because i was given a really detailed reference about how they would be and it was supposed to be like a family photo "shot" too. I went a bit over board with the background tho lol
I think as the years pile on i'm becoming more.... bullshitty.... which i do also think has something to do with being tired of arguing...
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joe-wright In reply to HumDrumBuzz [2010-07-10 03:28:43 +0000 UTC]
yeah, that's what i'm getting at, as you get older it seems easier to come out with some bullshit view that even you yourself don't fully agree with sometimes because it shuts down an argument. or maybe that's just me lol
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HumDrumBuzz In reply to joe-wright [2010-07-10 03:46:39 +0000 UTC]
I hate bullshit so much but i guess i'm just turning into a big lazy hypocrite!
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M-Bae [2010-07-08 01:53:04 +0000 UTC]
wow, very descriptive! great talent, looking forward to reading more lit from you ^^ should definitely consider writing some more good luck!
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joe-wright In reply to M-Bae [2010-07-08 02:15:53 +0000 UTC]
Thanks! It's encouraging to hear that, I often want to get into writing professionally but I can't tell if it'd be a waste of time or not
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BabyUbuu [2010-07-07 15:20:42 +0000 UTC]
You are an AMAZING WRITER! You are so descriptive! I can picture the girl in my head, and everything that happens. You definitely have a gift for writing.
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joe-wright In reply to BabyUbuu [2010-07-07 15:24:24 +0000 UTC]
Aw thanks! I was beginning to worry, it's so much harder to get views, comments and favs on writing, it's not easy to gauge how good it is. That's very reassuring to hear, thank you
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