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Description
Interpretative thoughts welcomed.

I returned to the working method with which I did Turbulent Uncertainty and Failed Attempt 2; ie. standing rather than sitting, with the tablet at an incline, and partial planning of the composition before execution.

Anyway, this is (supposed to be) people trapped in the hierarchy of commercial industry, and it'll be accompanying the programme for a piano trio of the same name (with which I am currently suffering composer's block, and the deadline for which is approaching far too rapidly for my liking).

I wanted to create something slightly jarring, something that feels as though it "wanted" to be more symmetric or ordered, and something that conveys a sense of emptiness despite being busy and cluttered. I hope (dare say think) that I achieved this.

Description
Interpretative thoughts welcomed.

I returned to the working method with which I did Turbulent Uncertainty and Failed Attempt 2; ie. standing rather than sitting, with the tablet at an incline, and partial planning of the composition before execution.

Anyway, this is (supposed to be) people trapped in the hierarchy of commercial industry, and it'll be accompanying the programme for a piano trio of the same name (with which I am currently suffering composer's block, and the deadline for which is approaching far too rapidly for my liking).

I wanted to create something slightly jarring, something that feels as though it "wanted" to be more symmetric or ordered, and something that conveys a sense of emptiness despite being busy and cluttered. I hope (dare say think) that I achieved this.