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MsCellanea — Lucky
Published: 2007-03-18 01:04:58 +0000 UTC; Views: 936; Favourites: 8; Downloads: 8
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Description                I was always one to take the lucky things.  I pluck four-leaved clovers from their brothers by the juicy stems, I pick pennies off the street and scrape the tips of my fingers on the sooty gravel, I wish on feathers and eyelashes and dandelions.  There are five rabbit feet strewn in corners and crannies about my house, seven outnumbering the lipstick cases in my purse, and a large green one that dangles morbidly from my rearview mirror.  There is a bamboo plant in every room of my house except for the closets, because they died when I put them there.  There is a horseshoe on my front door.
               My husband left me for his coworker.  My eldest son died of leukemia.  My computer has been destroyed by viruses on three separate occasions.  Last week, when I was making toast, the toaster caught fire and charred a section of my cabinets.
               Yesterday, my remaining daughter was in a car accident.  I shuffle with my back bent through the hospital parking lot, eyes scouring the ground for pennies.  I’ve found two already, though one was tails up and I didn’t dare touch it.  Liza is sleeping right now, and the doctors told me that I should either rest or pray.  So I’m out here.  The heel on my shoe broke an hour ago, but I’m still checking the pavement anyways.  It’d be horrible to have luck available and not take advantage of it.
               By the time a group of cocky teenagers curse at me and swerve gently into the bumper of a Mercedes, I decide to go back inside and see how Liza was doing.  She looks washed and delicate in the hospital gown and jewelry of plastic tubing, as if we are outside in harsh sunlight.  The doctors had finally cleaned the smears of eyeliner and mascara from beneath her eyes.  I smooth her eyebrow with the feather-fingers that come standard with being a mother and avoid the small scratches on her forehead with my hand and my eyes.  There are gashes on her left cheek, and a bad bruise seeping up like black water through a white towel on her forearm.
               My ex-husband enters the room behind me.
               “How is she doing?” he asks quietly.
               “You just missed her run the marathon,” I reply dryly, not looking up at him.  “How do you think she is?”
               “God, Monica, can’t you give it a rest, just for now?  You know what I mean.”
               He looks tired, and I sigh.  “The doctors don’t know.  They think the coma could last for anywhere from a few hours to a few months.  They just don’t know.”
He looks over at her, then strokes her arm a bit.  I instinctively move to stop him, but remember that he is her father, after all.  I put my hand in my pocket to stop it from jumping and shoving Kyle away from my baby, my daughter, and my fingertips meet the cool metal of the penny.  I place it on Liza’s nightstand with a tap that cracks and quivers in the intensity of the silence.
               On the way home, my car breaks down and it takes two hours for the tow truck to find me.


               The next week, I quit my job.  I spend my days in parking lots, trudging over fields of asphalt looking for heads-up pennies.  I don’t pay any regard to the friends that see me and ask how I am, how Liza is.  I pretend that they aren’t even there.
               I brought my snowman cookie jar full of a lifetime of lucky pennies to Liza’s hospital room.  She still hasn’t woken up.  Every day, I visit, and every day, I bring more and more pennies and things to hold them in.  I throw out the bundles of flowers in their gowns of grocery store plastic wrap and put the jars and cups and bowls and vases and pans of luck pennies in their places.  I even dig out the old hamster ball that Liza used to keep Henry the Hamster in and fill it with the copper coins.  One of the nurses slipped on it and broke her ankle.
               I come in one night with two Tupperware containers of pennies and meet Kyle.  He has cleared a space on one of the chairs and sat down.  He eyes my pennies distrustfully as I stack them on top of other containers as if they might spring from their plastic confines and scratch his cheeks so that he matches his daughter.
               “I’m worried about you, Monica,” he says softly.
               “Your daughter’s been in a coma for three weeks and you’re worried about your ex-wife?”  I return, skimming a finger over Liza’s eyes and the roadmap of thin blue veins that are starting to appear.
               “This can’t be healthy.”
               “I’m keeping Liza lucky.”
               “Luck has nothing-”
               “I’m keeping her lucky,” I hiss, and he quietly leaves the room.  I press a penny into Liza’s hand and pray that her fingers come up to clench around it.  They don’t.


               Doctor Beufort calls Kyle and me and asks us to come in.  Kyle still looks at me with the same wariness as he did last week as I take a seat beside him.
               “The parents of Elizabeth Mitchell…?”  he asks awkwardly.  He doesn’t look nervous.  I wonder absently how many times he’s done this.  We both nod.
               “We’ve been monitoring your daughter for some time now.  The coma that she’s in… Well, we don’t think that it will be going away any time soon.”
               Kyle and I stare at him blankly.
               “Technically speaking, Elizabeth is in a persistent vegetative state.”
               I’m vaguely aware of Kyle asking the doctor what the chances are that she’ll wake up.  Beufort says that they’re very good, that she could wake up at any time.  Of course, as time goes on, the chances get slimmer and slimmer.
               “No, she won’t wake up,” I reply softly.  I knew it.  Just like I had always known everything else.
               “Monica…” Kyle begins, but he can think of nothing to say and I leave the room.  I return to Liza’s room and fill several bags with all of the pennies.  I stroke her cheek and lug the bags down to my car.  They tear on the way, leaving a trail of shining copper luck behind me.
               I stop by the side of the road and take the pennies out.  One by one, I open the bags and cascade them down into the gutters.  A homeless man watches from across the street and I ignore the pain in his eyes.  Every last penny down into the dark, rushing depths.
               When I get home, I dig my rabbit’s feet out of the corners and crannies and put them in a pile with my shoebox of shriveled four leaf clovers in the center of the study.  I drop a match and two cans of gasoline in and watch it go up in glorious flames.  I see fire begin to spurt from the windows and tap my finger against the dashboard to the metallic rhythm of the fire alarms as I watch from my car.  I drive away when the fire trucks start to come.
              I get back to the hospital as dawn is beginning to break.  I go to Liza’s room and kiss her forehead, then climb up the stairs to the top of the building.  It’s cool today, and the morning wind coaxes goosebumps from my bare arms.  A man bends over the railing on the other side and turns to glance at me before returning to his silent monitoring of the traffic below and his cigarette.  He doesn’t notice as I sit up on the railing and gaze down at the dark alley thirteen stories down.
               The air tastes good in my mouth, and I take a few slow, deep breaths with my eyes closed.  Off in the distance, I can see the dark tower of smoke that marks my house stabbing up into the pink sunrise.  I lick my lips and pull one last penny from my pocket.  It’s a 1989- Liza’s birthday.  I smile and toss it out in front of me.
               The man turns and sees my body break free from the metal railing and he yells, “Lady, stop!”  But I have already gone.  I plunge down through the crisp morning air in pursuit of the penny that sparkles as it beats me to the darkness.


                    Down in her room, Liza’s eyes flutter open.
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Comments: 27

Iscariot-Priest [2009-02-03 08:58:02 +0000 UTC]

BTW, I'll be using this crit in the trashrock contest [link] Hope you don't mind.

👍: 0 ⏩: 0

Iscariot-Priest [2009-01-03 05:37:12 +0000 UTC]

If you're open to editing this piece, here are some comments:

a) You use "and" a lot, is this intentional? There are some instances where there are more appropriate conjunctions to use.

b) I love the last line, without it, the ending would be way too much of a downer. Though it is kinda cheating changing perspectives like that, I guess it's okay as the P.O.V character just died, she can't add anything more anyway.

Now some critiques:

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Paragraph 3 :

Sentence 3 - I’ve found two already, though one was tails up and I didn’t dare touch it.
>“and I didn’t dare touch it” is a reaction to the first half of the sentence. In this context, >“ so I didn’t dare touch it”, would be more appropriate for explaining.

Sentence 4 - Liza is sleeping right now, and the doctors told me that I should either rest or pray.
>As all the rest of the sentences are in present tense, the doctor should “tell” (present), not “told” (past)

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Paragraph 4:

Sentence 1 - By the time a group of cocky teenagers curse at me and swerve gently into the bumper of a Mercedes,
>the sentence is confusing. Why are they cursing AND swerving into a Merc (are they avoiding hitting Monica)? Or is Monica the one swerving?

Sentence 2 - She looks washed and delicate in the hospital gown and jewelry of plastic tubing, as if we are outside in harsh sunlight.
> try ‘with’, instead of ‘and’ in this sentence: “hospital gown (with) jewelry of plastic tubing”

Sentence 4 - I smooth her eyebrow with the feather-fingers that come standard with being a mother and avoid the small scratches on her forehead with my hand and my eyes.
> try replacing the ‘and’ with a comma, and extend ‘avoid’ to ‘avoiding’, like so: “…being a mother, avoiding the small scratches”

Sentence 5 - There are gashes on her left cheek, and a bad bruise seeping up like black water through a white towel on her forearm.
> try “seeps” instead of “seeping” in “seeping up like black water”

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Paragraph 7:

Sentence 4 - I pretend that they aren’t even there.
> cut “that”.

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Paragraph 8:

Sentence 1 - I brought my snowman cookie jar full of a lifetime of lucky pennies to Liza’s hospital room
> Put a comma before “full” and after “ pennies”, as “full of a lifetime of lucky pennies” is a dependent clause (basically, add on info).

Sentence 4- I throw out the bundles of flowers in their gowns of grocery store plastic wrap and…
> Same thing as above, comma before “in” and after “wrap”

Sentence 4 - … and put the jars and cups and bowls and vases and pans of luck pennies in their places.
>typo: Lucky pennies, not “luck pennies”

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Paragraph 9:

Sentence 3 - He eyes my pennies distrustfully as I stack them on top of other containers; as if they might spring from their plastic confines and scratch his cheeks so that he matches his daughter.
> for clarity’s sake separate the first half of the sentence “…top of other containers” and the sencond half of the sentence ‘as if they might spring…” with a semi-colon or dash, like so:
“top of other containers; as if they might spring”

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Paragraph 11:

Sentence 2 - Kyle still looks at me with the same wariness as he did last week as I take a seat beside him.
> It messy having the two “as” so close together. It’d be fine to cut the first one (before “he did last week” ). Like so: “Kyle still looks at me with the same wariness he did last week as I take a seat beside him.”

Sentence 3 - “The parents of Elizabeth Mitchell…?” he asks awkwardly.
>as the “he” in the previous sentece refers to Kyle, it looks like Kyle is asking this question. For clarity, it’d be a good idea to start with calling him Dr Beufort, and then using “he” again, afterwards.

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Paragraph 12:

Sentence 1 - Monica…” Kyle begins, but he can think of nothing to say and I leave the room.
>Instead of “and”, “as” would work fine here: “nothing to say as I leave”

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PassiveIre [2008-10-04 19:27:53 +0000 UTC]

This is so pretty and sad. I love your writing style, it's perfect.

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Itti [2008-09-14 15:50:39 +0000 UTC]

This made great reading. You portrayed the desperation of the mother perfectly, as she got crazier and crazier. The homeless man watching as she tipped the pennies down the gutter was a nice touch.

One thing I wasn't sure about was the final line. It's a bit incongrous, given that the story's in the first person, and to me it's a little clichéd. But on the other hand, I'm not sure how else you could have ended it, and this did give it a very definite ending.

Anyway, well done Thanks for writing

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fraeuleinwunder [2007-05-12 18:06:25 +0000 UTC]

Oh wow, I'm just sitting here in awe..I really like this story, you did really, really well here, absolutetly stunning. Sorry, that I don't have any criticism, but the story is just so complete, so well written that everything fits for me. Thanks for this wonderful piece of art!

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SkellingtonArtist [2007-04-20 20:15:08 +0000 UTC]

you should submit this into the muse... that or take creative writing class with kleeman!

👍: 0 ⏩: 1

MsCellanea In reply to SkellingtonArtist [2007-04-21 04:19:21 +0000 UTC]

muse has already deadlined, sadly, though I have to do that next year! and kleeman isn't doing CW next year... I weep, I weep. Maybe senior year...

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KildGeek [2007-04-09 00:17:05 +0000 UTC]

I love the irony of her situation and also the way you described her emotions, very subtle.The suicide fits at the ending, since we watch her obesession grow over the text.Lovely writing.

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Iscariot-Priest [2007-04-03 13:24:05 +0000 UTC]

This is so beautiful/sad. You've captured the relations between the main character and the world so well.

The ending is also believeable, because of all the build up you put into the story. So ya, you made suicide non- cliche *claps wildly in support*

And yes, I'm faving this.
Drop by sometime

👍: 0 ⏩: 1

MsCellanea In reply to Iscariot-Priest [2007-04-05 00:28:15 +0000 UTC]

Thank you! I'm glad you liked the ending- that part was rough for me to get to work. Oh, and your signature is awesome. I love Pearls Before Swine

👍: 0 ⏩: 1

Iscariot-Priest In reply to MsCellanea [2007-04-05 05:58:49 +0000 UTC]

You're welcome and thanks, I'm a big pearls fan too. Rat is numbah 1!

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sweet163 [2007-04-01 00:00:36 +0000 UTC]

I really like this! I thought the suicide part was a bit too angsty/teenaged/etc., but the "chasing penny" and Liza's eyes opening redeemed it all Unique take on the picture!

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MsCellanea In reply to sweet163 [2007-04-01 05:55:58 +0000 UTC]

Thank you! I'm glad to see I have some redeeming qualities somewhere

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KalbaxEcnailla [2007-03-27 02:03:49 +0000 UTC]

WOW. I love it. Absolutely love it.

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MsCellanea In reply to KalbaxEcnailla [2007-03-27 02:45:54 +0000 UTC]

Thank you so much!

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GeneratingHype [2007-03-19 22:26:41 +0000 UTC]

Great job!

👍: 0 ⏩: 1

MsCellanea In reply to GeneratingHype [2007-03-20 00:53:17 +0000 UTC]

Thank you!

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mokokacho [2007-03-19 00:44:52 +0000 UTC]

wow.

👍: 0 ⏩: 1

MsCellanea In reply to mokokacho [2007-03-19 04:11:49 +0000 UTC]

Teehee! Thanks!

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chichirii [2007-03-18 17:57:30 +0000 UTC]

Wowo this is great. I often stop reading after the first line but this I read all. it's really sad but compelling. good job

👍: 0 ⏩: 1

MsCellanea In reply to chichirii [2007-03-18 19:42:27 +0000 UTC]

Thank you so much!

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gimpPAC [2007-03-18 06:00:30 +0000 UTC]

wow, intense. It held my attention all the way through. Quite a different interpretation of the photo.

👍: 0 ⏩: 1

MsCellanea In reply to gimpPAC [2007-03-19 04:35:27 +0000 UTC]

Thank you. I'm going to have to do this fotoFRIDAY thing more often

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Ypres [2007-03-18 01:39:22 +0000 UTC]

This is terrifying, but spectacular. All the description of the mother's desperation and the terrible irony of her position is very striking. Excellent stuff.

👍: 0 ⏩: 1

MsCellanea In reply to Ypres [2007-03-18 01:44:42 +0000 UTC]

Thanks! I liked how this turned out as well.

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TheNotSoLostArt [2007-03-18 01:16:34 +0000 UTC]

This is beautiful.
You captured the mother's feelings perfectly.

👍: 0 ⏩: 1

MsCellanea In reply to TheNotSoLostArt [2007-03-18 01:38:12 +0000 UTC]

Thank you so much!

👍: 0 ⏩: 0