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Description
A composite shot i put together from some pics i took at a studio shoot in May.

It was the first time i've done work in a studio, so it was mildly surreal working with about a billion lights, remote flashes etc... i'm much happier running slower shutter speeds and using natural light.
Still the end results werent to bad, though i personally think a few extra layers with the polariser wouldnt have gone amis to get that true studio look. The hours spent getting the correct GT-R logo for the 32 made up in illustrator was worth it though, the plates make the shots look that extra bit more professional.

So much easier working in 3D eliminates the hassles of chasing down reflective stuff in the background, moving around lights and trying to manouver a car with the turning circle of a bus.

Description
A composite shot i put together from some pics i took at a studio shoot in May.

It was the first time i've done work in a studio, so it was mildly surreal working with about a billion lights, remote flashes etc... i'm much happier running slower shutter speeds and using natural light.
Still the end results werent to bad, though i personally think a few extra layers with the polariser wouldnt have gone amis to get that true studio look. The hours spent getting the correct GT-R logo for the 32 made up in illustrator was worth it though, the plates make the shots look that extra bit more professional.

So much easier working in 3D eliminates the hassles of chasing down reflective stuff in the background, moving around lights and trying to manouver a car with the turning circle of a bus.