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Published: 2016-09-18 09:40:31 +0000 UTC; Views: 21657; Favourites: 350; Downloads: 89
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'And doubtless the good stone-work is the older and was wrought in the first building,' said Gimili. 'It is ever so with the things that Men begin: there is a frost in Spring, or a blight in Summer, and they fail of their promise.''Yet seldom do they fail of their seed,' said Legolas. 'And that will lie in the dust and rot to spring up again in times and places unlooked-for. The deeds of Men will outlast us, Gimili.'
--The Return of the King, V.9
Here, put as succinctly as anywhere in Tolkien's writing, we are offered what is, to my mind, the most fascinating and unique aspect of his legendarium. From our earliest days, humanity has been telling faerie stories about our mythic forerunners: elves, dwarves, giants, gods, heroes and monsters which inhabited the world before our time. In his Middle-Earth, Tolkien presents us with a version of that mythic prehistory more complete and consistent with itself than any offered by the genuine ancient myths that inspired him, and a consistent theme of Tolkien's presentation of his mythos - arguably the very center of it - is the "faerie perspective" on mankind; what we humans looked like when seen through the eyes of those mythic beings.
Humans first enter into the narrative of the Elves and their war against the forces of Darkness while still in their infancy. Their arrival is entirely unlooked for, being discovered by chance by the Noldor prince Finrod, and they become quickly adopted, with varying degrees of success, into the service and tutelage of the high elves, from which they are soon elevated. it's a consequential change, Man's appearance, and almost immediately, as the elves would reckon it, the arrival of men into the world, under the new risen sun, marks the end of the elves' time, and a transition in their appointed role in the world from the favored children of Illuvatar to stewards and teachers for the younger race.
The "after-comers" - as men are called, among other, more unfavorable names - must seem an odd and in many ways disappointing follow-up to the elves. As craftsmen they are almost astonishingly inept, and they tread the earth with a heavy plodding foot, adopting from their earliest days an abusive, dominating, often wasteful relationship to the natural world around them. They are like children, stumbling blindly through life, prone to sickness, ever at odds with the world, which they are designed to inhabit for only a short while. And yet - as it must especially seem to the Eldar - there's something kind of amazing about men. Far from the weak, compliant creatures which Feanor (who knew nothing about them) had predicted, they prove to be a race of proud, fearsome, at times destructively self-willed beings. They embrace the curious fate they've been given with courage, and accept the humility of their position in a world of ancient others. they are brave and rash and live in the moment, understanding their own ignorance and not letting it hinder them. they are Middle-Earth's holy fools, and more than any other race, its moral wildcards.
I imagine the first men to arrive in Beleriand got there still in a savage state; their material culture, language and much of their knowledge of the world a creole of jumbled influences from the dwarves and avarin elves. Hunters and fighters, clothing themselves in animal skins, decorated with teeth and claws and the odd bit of metal work traded/ransomed/stolen from dwarves, or their own poor imitations. hundreds of clans and tribes, banded together by vague blood-ties, spurred onward by varied, confused beliefs about the world, the gods, and what they'll find at the end of their journey to the West. it seems likely - inescapable even - that the elves, being creatures of deep perception, would quickly recognize the metaphysical significance - above the ents, orcs, dwarves or even themselves - of the "after-comers," God's second children, and the ones that - in the end, despite all their failings and deficiencies - will inherit the world.
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Comments: 48
GogglePeasant [2023-07-03 01:40:58 +0000 UTC]
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KarakNornClansman [2018-06-26 08:10:19 +0000 UTC]
Splendid concept art and ponderings, as usual. It's pure joy to see you and Artigas flesh out the prehistory and periphery of Tolkien's Middle Earth in art and word, not least its Dwarves (and an honourable mention also to Matej Cadil's Kings of Gondor suite: matejcadil.deviantart.com/gall⦠). This is all carefully constructed and adds several rich layers to the Silmarillion, enhancing the experience of reading and imagining that epic by your injection of historical layerings and splendid exploration of styles. I particularly appreciate it, because this gives more dimensions to the parts of Tolkien's work that I can never be a fan of (e.g. waning of Elves & Dwarves), in a positive way by adding substance to something that always seemed pale washed-out in my eyes; and because it all rings true with the written material and its historical basis.
I think you get Tolkien's world and narrative better than what most can hope to do.
Hat off to you sir!
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TurnerMohan In reply to KarakNornClansman [2020-05-30 03:34:44 +0000 UTC]
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KarakNornClansman In reply to TurnerMohan [2020-05-30 22:40:19 +0000 UTC]
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Wisdom-Thumbs [2017-02-11 03:05:28 +0000 UTC]
Reading this, and looking upon your delightful drawings of early jewelry, inspires a sense of melancholy in me. It makes me want to write about a man's encounter with some junior species, which mocks him in shape and behavior, only to save his life later. But then I realize... Tolkien already did that, too. The hobbits!
Your musings shine a lot of light on Tolkien's writing, which I often taken for granted. And that, in turn, shines light on other writers. Thank you.
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TurnerMohan In reply to Wisdom-Thumbs [2020-05-30 05:59:55 +0000 UTC]
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Wisdom-Thumbs In reply to TurnerMohan [2020-05-30 09:24:37 +0000 UTC]
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BenjaminOssoff [2017-01-25 04:37:41 +0000 UTC]
Impressive work, as always, and accompanied by thoughtful reflections.
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TurnerMohan In reply to BenjaminOssoff [2020-05-30 06:00:33 +0000 UTC]
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Libra1010 [2016-10-26 12:35:17 +0000 UTC]
Β A very splendid series of sketches Master Mohan; I particularly like those little carvings in the top right corner and the Chieftain of Beor's people (though I'm surprised that lady of the Haladin is quite so ... well she looks like a future supermodel!).
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TurnerMohan In reply to Libra1010 [2016-11-02 21:00:14 +0000 UTC]
Thank you my friend! Yeah i was quite happy with those little carved talismans (if there's one thing primitive man loves, its a little figurine with a hardon
i'm sure she'd be complimented to hear you say so. The first age was back long before fast food had been invented, so i expect youd find a lot of formidable cheekbones among the first men
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Libra1010 In reply to TurnerMohan [2017-01-11 17:19:23 +0000 UTC]
Β No doubt there would be more than one formidable chin and stunning forehead amongst them to boot (and when I say "stunning" you might infer "head-butts like a battering ram").Β
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TurnerMohan In reply to Libra1010 [2017-01-20 22:18:31 +0000 UTC]
I expect dwarves kind of own that, but yeah
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Libra1010 In reply to TurnerMohan [2017-02-12 21:46:55 +0000 UTC]
Β These being Dwarves they presumably not only Own it but rent it at a handsome profit!Β
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Zeonista [2016-10-26 00:24:33 +0000 UTC]
Something here about the enduring image of primeval strength and endurance obtained by wrapping a human in a fur. Β The Neolithic/Chalcolithic imagery must have been a part of your mindset here, although I do not think that is a limiter. After all, it was a Neolithic culture which erected Stonehenge and another one that built Chaco City! So we must not equate RPG tech levels with the Second Children's ability to organize, cooperate, and domesticate animals.Β
It is significant to me that when Finrod finds Beor's band, he comes across them seated about the fire at the end of a day of labor, and making music. They play instruments and sing, raising up their voices in celebration of discovering a land free of Darkness. And in that time of listening to their song, Finrod realizes he has found the foretold Atani, the After-comers. The Elves are the first Speakers, to whom language is more than communication, description, or the voice of command, but the essence of personal expression. These people around the fire are also Speakers, and who else but the Second Children could be capable of such a thing?Β
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TurnerMohan In reply to Zeonista [2016-11-02 20:11:22 +0000 UTC]
The dwarves for one, in answer to your last question
i'm glad you agree that the technology and advancement attributed to the edain at the time of their arrival in beleriand (some examples being "rude harps" and spears) do not require from them the roughly early medieval level of cultural sophistication that artists usually portray them at as the default. That default i think is thoughtless and a little ridiculous, as humanity is, at this point, no more than a few generations from its origins, likely having come into the world as naked creatures in an animal state, and having borrowed what scraps of language, culture and technology they could from elves and dwarves on their way west. Also, a big deal is made on more than one occassion of just how elevated the three houses of the edain are by there years in contact with the noldor, why wouldn't that include the simple things like basic textile manufacture? Its an area where i think the generally accepted consensus (again, of a roughly dark age cultural level for men before their "first contact") among tolkien fan artists isnt nearly imaginitive enough.Β
I will agree, despite that about dwarves, that it would be obvious to finrod and the noldor, upon encountering men, that these are the long-awaited second children. The elven perspective on our species is a subject that endlessly fascinates me, and i would think that what would dominate that perpective (especially in the early years) would be awe; they didnt really know what to expect men would be like - how would you predict the nature of creatures you've never seen but are told will be like you but different? - and when humanity does come into the picture, i feel it would have to be at once obvious and revelatory that we would be the way we are. For one, and perhaps the thought that i most enjoy ruminating upon, i think men are, in every way, more formidable than the elves expected, not speaking only (or even mainly) as warriors, they are a formidable presence in the world, not to be sneezed at or taken lightly. They have this strange life cycle that is so damn short and yet they have full-fledged souls that are the equal of their elven peers who will be around forever. Humanity is dirtier than the eldar, its quicker, less enduring, sloppier, more Β haphazard, its sexier. That last i think is overwhelmingly true: humans are, no contest, the sex-having children of illuvatar, their period of firtility and their libido lasts even shorter than their short lives, but they feel the pull to it, and usually get on it as soon as they're biologically able, and a human can come to the end of an eighty year life with four or five generations of descendants under them (compare this to the idea that eldarion, born in the fourth age is, on his mother's side, no more than half a dozen generations from the awakening at cuvienen)
this contributes to a point which, while never expressly stated, must be true, and even somewhat intimidating to the elves: humanity VASTLY outnumbers the eldar, probably thousands to one. As legolas says in the quote above, reproducing is the thing you can basically always count on them to do, and its not long after their emergence that the world is teaming with them. The peter jackson movies may have grossly misrepresented the timeframe of the elven departure from middle earth (as a thing that's largely just gotten started in the time the events of the story are taking place, and a thing that finishes with the departure of elrond and Galadriel) but truthfully i think even among book fans theres a tendency to squew the concept of the "eldar days" to a human-centric perpective (one which would categorize any time inwhich elves and dwarves were at large in the world as 'the ancient past') but i think it would be very clear to the elves that the real "elder days", their time, was the world under starlight, that upon meeting men the true significance of the sun and moon would become clear to the eldar (a truth met with a range of emotions from acceptance, regret, melancholy, resentment or defiance, depending upon the elf) that it is no longer their world, that the third theme has begun and their time is over.
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Zeonista In reply to TurnerMohan [2016-11-02 23:10:39 +0000 UTC]
The Dwarves are the Dwarves, neither first nor second in the designs of the Creator, but a subsequent insert deemed worth keeping. Eldar and Atani were similar enough to be recognized so. But the Naugrim were different, made to a different vision, and they did not seem to care. And no one ever bothered to ask the Peredhil where they measured in...Β
Cloth made from wool, linen, or twisted plant fiber is a lot older than most people think. The degree to which they could be refined and decorated has been more of a defining factor than mere construction. Whether or not the three peoples of the Edain had the time to do so in their periodic migrations across Middle-Earth is uncertain, and difficult to decide upon. Dressed furs and deerskins are certain though, and they look splendid. Β The primitive artistry and vitality of the Edain culture would have been the defining and deciding feature though. Your sketches have something of the noble savage to them that makes the figures attractive and estimable, which was the effect it had on the Elves! The Druedain might be the last vestige of the Edain at the time of their creation, still living the simple life of a simple folk not tied down to field, herd, and hall. (They also shared the same fear of Darkness, and the desire to escape from it.) Β
It is difficult to reconcile the lifespans and outlooks on life of Elf and Man. this is definitely the author's intention, not to be defeatist or nasty, but to address a sad and inevitable truth in the waning years of the Third Age. Maybe at the beginning of the Second Age things were a little different, but no one could replace Gondolin, Menegroth, Eregion, or the lost Wood-Elf settlements in South Mirkwood, or the warriors laid to rest on the border of Dagorlad, or silence the call of the Sea. Even if the works of the Eldar had endured, Men would probably have surpassed them anyway. The response of Elves to the troubles of the world was to retreat from them to ever more remote holdings. The response of Men to the troubles of the world was to embrace life more fully, loving and living with zeal and delight. Β
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noahcat [2016-09-30 18:23:44 +0000 UTC]
Awesome! Please do more.... I trust you are aware of prehistoric humans drawn by Pierre Joubert? This reminded me of those images.
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TurnerMohan In reply to noahcat [2016-10-02 17:01:37 +0000 UTC]
hadn't heard of him, but I sure have now! thanks for the good recommend, that'll come in handy in the future
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noahcat In reply to TurnerMohan [2016-10-04 19:18:20 +0000 UTC]
I guess you are aware of Other Minds Magazine? In Rhovanion supplement there is some art by Pierre Joubert. I remember reading books illustrated by him when I was a kid with my parents, especially dad. I immediately recognized the style and was filled with warm nostalgia. And he drew not just prehistoric stuff but other also.
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TurnerMohan In reply to grisador [2016-10-02 17:09:21 +0000 UTC]
i wouldn't say so, just because I've drawn two out of the three figures here as women. I expect the three peoples of the edain would have been originally a collection of a great multitude of families, clans, tribes, united by shared ethno-linguistic heritage and the shared incentive to venture to the west, eventually coming under the leadership of a few great chiefs like beor or marach (the so-called "haladin" in particular are a loose group, their leaders typically assuming the role only out of necessity) the woman on the top left, for example, may be a chief of an individual clan under marach's following (the "blonde people" broadly speaking) i consider the three houses of the edain as more like entire ethnic groups (like the germanics or celts) rather than super tight-knit "houses"
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grisador In reply to TurnerMohan [2016-10-02 17:51:47 +0000 UTC]
Understood; thanks for the Δ°nformation
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jubah [2016-09-21 21:57:04 +0000 UTC]
This is SO GOOD, I absolutely love this take on pre-Edain culture!! So fresh! I also love that for the people of Marach you've chosen to portray one of the 'Wise Women"...Β
It saddens me sometimes how little we have of what Tolkien intended for these proto-Edain to be like, so I just love how your choices here made sure they all look, at the same time, like separete people with their own distinct society, very different from the elves. Wonderful work!
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TurnerMohan In reply to jubah [2016-11-02 20:54:33 +0000 UTC]
Thank you my friend, it's always nice to get a comment from you
tolkien, as always in the silmarillion, gives us only the most paraphased version of any event, so yes, in the "three houses" of the edain i think youd find a vast diversity of tribes and clans. Its never specified how many people tolkien is talking about when he refers to the people of beor or marach. I tend to think of them as whole ethno-linguistic groups, like the "germanic" people of antiquity (to which the tall blonde hadorians seem to correspond) though it should be noted that those of the three houses of the edain that cross the blue mountains into beleriand represent only a part (and perhaps a minority) of the people of those races: the mostly blond "northmen" of rhovanion in the third age (which includes the rohirrim) are assumed by faramir to be descendants of people of the "hadorian" strain who never made it all the way west, just as the shorter, brown haired, vaguely celtic men of rhudaur, bree, and dunland, likely share blood with the haladin of ancient brethil.
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konstantinpalailogos [2016-09-21 04:27:43 +0000 UTC]
I saw the words "First Men" and almost thought you were beginning to dabble in 'A Song of Ice and Fire' (which likely would be as spectacular as your take on Middle-Earth).Β Wonderful image regardless.
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TurnerMohan In reply to konstantinpalailogos [2016-11-02 20:40:01 +0000 UTC]
I'd be lying if i said the portrayal of the wildlings in ASOIAF didnt have its effect, and really the classic physical type of martin's first men, as personified by jon snow and other members of the stark house - pale skin, black hair, grey eyes - is distinctly beorian (though whether tolkien' house of beor or Robert e. Howard's cimmerians were the primary inspiration for martin's first men is debatable, I'm sure) the edain in their early years, as i tend to imagine them, are basically martin's wildings but not played for "irreverant savage" humor: though in a primal state, the seed of all humanity's vast potential, for civilization or for savagery, for wisdom or foolishness, for good and evil, is present in them. The edain (using the word in its real meaning, to reffer to all humanity) are a formidable presence in the world.
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chaos-in-compounded [2016-09-18 20:52:12 +0000 UTC]
god damn. I never cease to love and enjoy your work.
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Jessica42 [2016-09-18 17:52:59 +0000 UTC]
I believe you are correct that it was Tolkien that first put to word what has become one of the standard modern fantasy tropes. Just another example of his impact upon our world.Β
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TurnerMohan In reply to Jessica42 [2016-09-18 19:29:24 +0000 UTC]
An argument (and a descent one) could be made that Shakespeare beat him to it by a few hundered years in 'a midsummer nights' dream', but i think the Bard was more interested in using the context of faerie to tell a story that is ultimately about human psychology than in treating fairies themselves as real and worthy of serious consideration. Tolkien, for better or worse (worse according to most of his critics) gave them that consideration.
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Jessica42 In reply to TurnerMohan [2016-09-18 20:25:29 +0000 UTC]
While I will consed the point of timing. I think far more fantasy writers, table top role players and GMs, comic book writers, computer game designers, moviescreen writers have read Tolkien more and been impacted greater by him than Shakespeare.
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TurnerMohan In reply to Jessica42 [2016-09-18 20:29:22 +0000 UTC]
Oh i wouldnt doubt it. It's not called the pseudo-tolkien genre for nothing
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Jessica42 In reply to TurnerMohan [2016-09-19 05:12:13 +0000 UTC]
In my opinion contemporary fantasy could be better described as pseudo-D&D genre, but yeah.
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Beathyra [2016-09-18 17:02:48 +0000 UTC]
Umm... I saw that man's dick on that mask on top right.
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TurnerMohan In reply to Beathyra [2016-09-18 19:05:05 +0000 UTC]
Well done. Means you're paying attention
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Beathyra In reply to TurnerMohan [2016-09-18 19:11:39 +0000 UTC]
Wait, what?...Β Β Β (I'm kind of confused.) Oh well, I like that art. And thanks anyways, I supose. Β
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TurnerMohan In reply to MoArtProductions [2016-09-18 19:05:51 +0000 UTC]
Thats basically what i was going for.
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DragonstormStudios [2016-09-18 15:20:58 +0000 UTC]
"They are brave and rash and live in the moment, understanding their own ignorance and not letting it hinder them. they are Middle-Earth's holy fools, and more than any other race, its moral wildcards."
Perfect, Turner. Perfect.
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TurnerMohan In reply to DragonstormStudios [2016-09-18 19:07:29 +0000 UTC]
Glad you think so
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